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Continue shopping14 Cubic Feet, Cone 10, Built for Real Production When you need real production capacity AND full high-fire capability, you need a real production ...
View full detailsOne Kiln, Two Modes. Fire Ceramics to Cone 6, Fuse Glass at 1700°F, All in 11.45 Cubic Feet. The Ceram-A-Glass Oval 18 is built for artists who re...
View full detailsA Real Workhorse for Studios That Are Always Firing If you've been splitting big firings into two loads or running back to back schedules just to ...
View full detailsThe Kiln Built to Outlast Everything Else in Your Studio Most kilns are designed around standard coils, and standard coils wear out. That's just h...
View full detailsA Lower Profile Studio Kiln That's Easy on Your Back If you've ever finished loading a deep kiln and felt it in your shoulders the next day, the J...
View full detailsBig Kiln, Smaller Electrical Footprint Here's the thing about most large studio kilns. They demand a lot of power, and a lot of garages and home s...
View full detailsTwo Firings a Day. Yes, Really. If you're fusing glass on a clay shelf, you've already accepted that the kiln has to drag the shelf up to temperat...
View full detailsA Cullet Melter Built for the Working Hot Shop If you're a glassblower running a small hot shop, the Jen-Ken Double Wall Crucible Kiln gives you t...
View full detailsTwo Kilns in One: Ceramics and Glass, Same Footprint If you work in both ceramics and glass, you've probably wished you could justify a second kil...
View full detailsYour Entry Into Glassblowing, Without the Furnace A full glassblowing furnace is a serious commitment. The fuel costs, the space requirements, the...
View full detailsMega Coil Tech, Right Sized for Your Studio If you love what the Mega Coil series does but don't need an 8 cubic foot kiln, this is the one. The J...
View full detailsBig Glass, Even Heat: 28 Inches of Round Fusing Capacity If you're working on large bowls, platters, table tops, or sink-sized fusing projects, you...
View full details52 Inches Wide. For Pieces That Don't Fit in Any Other Kiln. Architectural panels. Custom door inserts. Conference table tops. Long fused wall art...
View full detailsDeep Enough for Casting, Wide Enough for Big Glass The standard 28-E is built for fusing and slumping. The Jen-Ken AF3P 28-E 15" is its deeper sibl...
View full detailsThe Deep Mega Coil for Tall Vessels, Totems, and Sculpture Most kilns are built around width. The Jen-Ken AF 2431 Mega Coil is built around height...
View full details11.4 Cubic Feet. The Workhorse for Production Studios. If you've outgrown your current kiln, the Jen-Ken AF JK Squared 29" is built for the next s...
View full detailsA Trusted Home Studio Glass Kiln Since the 1970s The Jen-Ken AFG 18-E has been a fixture in home glass studios for fifty years, and for good reason...
View full detailsA 24" Glass Kiln That Still Runs on a Dryer Outlet The middle ground in your glass kiln decision is usually a tradeoff. Step up from a home-size 18...
View full detailsReal Cone 10 Power, Real Production Capacity, Real Longevity This is the top of the Mega Coil line. The Jen-Ken AF 2829 3" Mega Coil is the kiln w...
View full details52 Inches Wide, 15 Inches Deep. For Slumping Work That Goes Big and Tall. If you've been working with deep slumping molds, draping over taller for...
View full detailsA Compact Color Pot Melter for Glassblowers If you're a glassblower who works with multiple colors, you know the dance. You can melt one batch of ...
View full detailsThe Mega Coil for Home Studios and Apartment Potters If you've been wanting a serious cone 8 ceramic kiln but didn't think your home electrical co...
View full detailsA 7.2 Cubic Foot Oval Brick Kiln. Built for Studios That Fire Big and Fire Often. The AFG Oval 13 is a serious workhorse. With 24" x 39" x 13" of ...
View full detailsA 24" x 31" Ceramic Kiln That Fires to Cone 10. Built for Real Production. The Jen-Ken AF2431 is a serious ceramic kiln for studios that fire ofte...
View full detailsBest for: serious hobbyists, production potters, studios, schools, and anyone firing larger loads regularly.
A 240V kiln requires a dedicated 240V circuit (installed by an electrician in most homes). The payoff is stronger performance—especially for larger kilns and consistent high-temp firing.
What to expect:
More power for bigger chambers and heavier loads
Faster firing and better recovery at higher temps
Better for frequent firings and studio production
Often required for larger kilns and higher-output needs
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